When a child plays at reconstructing a picture by putting together the separate pieces in a puzzle game, the more he practices, the more and more quickly he succeeds. The reconstruction was, moreover, instantaneous, the child found it ready-made, when he opened the box on leaving the shop. The operation, therefore, does not require a definite time, and indeed, theoretically, it does not require any time. That is because the result is given. It is because the picture is already created, and because to obtain it requires only a work of recomposing and rearranging--a work that can be supposed going faster and faster, and even infinitely fast, up to the point of being instantaneous. But, to the artist who creates a picture by drawing it from the depths of his soul, time is no longer an accessory; it is not an interval that may be lengthened or shortened without the content being altered. The duration of his work is part and parcel of his work. To contract or to dilate it would be to modify both the psychical evolution that fills it and the invention which is its goal. The time taken up by the invention, is one with the invention itself. It is the progress of a thought which is changing in the degree and measure that it is taking form. It is a vital process, something like the ripening of an idea.
The painter is before his canvas, the colors are on the palette, the model is sitting--all this we see, and also we know the painter's style: do we foresee what will appear on the canvas? We possess the elements of the problem; we know in an abstract way, how it will be solved, for the portrait will surely resemble the model and will surely resemble also the artist; but the concrete solution brings with it that unforeseeable nothing which is everything in a work of art. And it is this nothing that takes time. Nought as matter, it creates itself as form. The sprouting and flowering of this form are stretched out on an unshrinkable duration, which is one with their essence. So of the works of nature. Their novelty arises from an internal impetus which is progress or succession, which confers on succession a peculiar virtue or which owes to succession the whole of its virtue--which, at any rate, makes succession, or _continuity of interpenetration_ in time, irreducible to a mere instantaneous juxtaposition in space. This is why the idea of reading in a present state of the material universe the future of living forms, and of unfolding now their history yet to come, involves a veritable absurdity. But this absurdity is difficult to bring out, because our memory is accustomed to place alongside of each other, in an ideal space, the terms it perceives in turn, because it always represents _past_ succession in the form of juxtaposition. It is able to do so, indeed, just because the past belongs to that which is already invented, to the dead, and no longer to creation and to life. Then, as the succession to come will end by being a succession past, we persuade ourselves that the duration to come admits of the same treatment as past duration, that it is, even now, unrollable, that the future is there, rolled up, already painted on the canvas. An illusion, no doubt, but an illusion that is natural, ineradicable, and that will last as long as the human mind!
_Time is invention or it is nothing at all._ But of time-invention physics can take no account, restricted as it is to the cinematographical method. It is limited to counting simultaneities between the events that make up this time and the positions of the mobile T on its trajectory. It detaches these events from the whole, which at every moment puts on a new form and which communicates to them something of its novelty. It considers them in the abstract, such as they would be outside of the living whole, that is to say, in a time unrolled in space. It retains only the events or systems of events that can be thus isolated without being made to undergo too profound a deformation, because only these lend themselves to the application of its method. Our physics dates from the day when it was known how to isolate such systems. To sum up, _while modern physics is distinguished from ancient physics by the fact that it considers any moment of time whatever, it rests altogether on a substitution of time-length for time-invention_.
It seems then that, parallel to this physics, a second kind of knowledge ought to have grown up, which could have retained what physics allowed to escape. On the flux itself of duration science neither would nor could lay hold, bound as it was to the cinematographical method. This second kind of knowledge would have set the cinematographical method aside. It would have called upon the mind to renounce its most cherished habits. It is within becoming that it would have transported us by an effort of sympathy. We should no longer be asking where a moving body will be, what shape a system will take, through what state a change will pass at a given moment: the moments of time, which are only arrests of our attention, would no longer exist; it is the flow of time, it is the very flux of the real that we should be trying to follow. The first kind of knowledge has the advantage of enabling us to foresee the future and of making us in some measure masters of events; in return, it retains of the moving reality only eventual immobilities, that is to say, views taken of it by our mind. It symbolizes the real and transposes it into the human rather than expresses it. The other knowledge, if it is possible, is practically useless, it will not extend our empire over nature, it will even go against certain natural aspirations of the intellect; but, if it succeeds, it is reality itself that it will hold in a firm and final embrace. Not only may we thus complete the intellect and its knowledge of matter by accustoming it to install itself within the moving, but by developing also another faculty, complementary to the intellect, we may open a perspective on the other half of the real. For, as soon as we are confronted with true duration, we see that it means creation, and that if that which is being unmade endures, it can only be because it is inseparably bound to what is making itself. Thus will appear the necessity of a continual growth of the universe, I should say of a _life_ of the real. And thus will be seen in a new light the life which we find on the surface of our planet, a life directed the same way as that of the universe, and inverse of materiality. To intellect, in short, there will be added intuition.
The more we reflect on it, the more we shall find that this conception of metaphysics is that which modern science suggests.
For the ancients, indeed, time is theoretically negligible, because the duration of a thing only manifests the degradation of its essence: it is with this motionless essence that science has to deal. Change being only the effort of a form toward its own realization, the realization is all that it concerns us to know. No doubt the realization is never complete: it is this that ancient philosophy expresses by saying that we do not perceive form without matter. But if we consider the changing object at a certain essential moment, at its apogee, we may say that there it just touches its intelligible form. This intelligible form, this ideal and, so to speak, limiting form, our science seizes upon. And possessing in this the gold-piece, it holds eminently the small money which we call becoming or change. This change is less than being. The knowledge that would take it for object, supposing such knowledge were possible, would be less than science.
But, for a science that places all the moments of time in the same rank, that admits no essential moment, no culminating point, no apogee, change is no longer a diminution of essence, duration is not a dilution of eternity. The flux of time is the reality itself, and the things which we study are the things which flow. It is true that of this flowing reality we are limited to taking instantaneous views. But, just because of this, scientific knowledge must appeal to another knowledge to complete it. While the ancient conception of scientific knowledge ended in making time a degradation, and change the diminution of a form given from all eternity--on the contrary, by following the new conception to the end, we should come to see in time a progressive growth of the absolute, and in the evolution of things a continual invention of forms ever new.
It is true that it would be to break with the metaphysics of the ancients. They saw only one way of knowing definitely. Their science consisted in a scattered and fragmentary metaphysics, their metaphysics in a concentrated and systematic science. Their science and metaphysics were, at most, two species of one and the same genus. In our hypothesis, on the contrary, science and metaphysics are two opposed although complementary ways of knowing, the first retaining only moments, that is to say, that which does not endure, the second bearing on duration itself. Now, it was natural to hesitate between so novel a conception of metaphysics and the traditional conception. The temptation must have been strong to repeat with the new science what had been tried on the old, to suppose our scientific knowledge of nature completed at once, to unify it entirely, and to give to this unification, as the Greeks had already done, the name of metaphysics. So, beside the new way that philosophy might have prepared, the old remained open, that indeed which physics trod. And, as physics retained of time only what could as well be spread out all at once in space, the metaphysics that chose the same direction had necessarily to proceed as if time created and annihilated nothing, as if duration had no efficacy. Bound, like the physics of the moderns and the metaphysics of the ancients, to the cinematographical method, it ended with the conclusion, implicitly admitted at the start and immanent in the method itself: _All is given._ That metaphysics hesitated at first between the two paths seems to us unquestionable. The indecision is visible in Cartesianism. On the one hand, Descartes affirms universal mechanism: from this point of view movement would be relative,[107] and, as time has just as much reality as movement, it would follow that past, present and future are given from all eternity. But, on the other hand (and that is why the philosopher has not gone to these extreme consequences), Descartes believes in the free will of man. He superposes on the determinism of physical phenomena the indeterminism of human actions, and, consequently, on time-length a time in which there is invention, creation, true succession. This duration he supports on a God who is unceasingly renewing the creative act, and who, being thus tangent to time and becoming, sustains them, communicates to them necessarily something of his absolute reality. When he places himself at this second point of view, Descartes speaks of movement, even spatial, as of an absolute.[108] He therefore entered both roads one after the other, having resolved to follow neither of them to the end. The first would have led him to the denial of free will in man and of real will in God. It was the suppression of all efficient duration, the likening of the universe to a thing given, which a superhuman intelligence would embrace at once in a moment or in eternity. In following the second, on the contrary, he would have been led to all the consequences which the intuition of true duration implies. Creation would have appeared not simply as _continued_, but also as _continuous_. The universe, regarded as a whole, would really evolve. The future would no longer be determinable by the present; at most we might say that, once realized, it can be found again in its antecedents, as the sounds of a new language can be expressed with the letters of an old alphabet if we agree to enlarge the value of the letters and to attribute to them, retro-actively, sounds which no combination of the old sounds could have produced beforehand.
Finally, the mechanistic explanation might have remained universal in this, that it can indeed be extended to as many systems as we choose to cut out in the continuity of the universe; but mechanism would then have become a _method_ rather than a _doctrine_. It would have expressed the fact that science must proceed after the cinematographical manner, that the function of science is to scan the rhythm of the flow of things and not to fit itself into that flow.--Such were the two opposite conceptions of metaphysics which were offered to philosophy.
It chose the first. The reason of this choice is undoubtedly the mind's tendency to follow the cinematographical method, a method so natural to our intellect, and so well adjusted also to the requirements of our science, that we must feel doubly sure of its speculative impotence to renounce it in metaphysics. But ancient philosophy also influenced the choice. Artists for ever admirable, the Greeks created a type of supra-sensible truth, as of sensible beauty, whose attraction is hard to resist. As soon as we incline to make metaphysics a systematization of science, we glide in the direction of Plato and of Aristotle. And, once in the zone of attraction in which the Greek philosophers moved, we are drawn along in their orbit.
Such was the case with Leibniz, as also with Spinoza. We are not blind to the treasures of originality their doctrines contain. Spinoza and Leibniz have poured into them the whole content of their souls, rich with the inventions of their genius and the acquisitions of modern thought. And there are in each of them, especially in Spinoza, flashes of intuition that break through the system. But if we leave out of the two doctrines what breathes life into them, if we retain the skeleton only, we have before us the very picture of Platonism and Aristotelianism seen through Cartesian mechanism. They present to us a systematization of the new physics, constructed on the model of the ancient metaphysics.
What, indeed, could the unification of physics be? The inspiring idea of that science was to isolate, within the universe, systems of material points such that, the position of each of these points being known at a given moment, we could then calculate it for any moment whatever. As, moreover, the systems thus defined were the only ones on which the new science had hold, and as it could not be known beforehand whether a system satisfied or did not satisfy the desired condition, it was useful to proceed always and everywhere _as if_ the condition was realized. There was in this a methodological rule, a very natural rule--so natural, indeed, that it was not even necessary to formulate it. For simple common sense tells us that when we are possessed of an effective instrument of research, and are ignorant of the limits of its applicability, we should act as if its applicability were unlimited; there will always be time to abate it. But the temptation must have been great for the philosopher to hypostatize this hope, or rather this impetus, of the new science, and to convert a general rule of method into a fundamental law of things. So he transported himself at once to the limit; he supposed physics to have become complete and to embrace the whole of the sensible world. The universe became a system of points, the position of which was rigorously determined at each instant by relation to the preceding instant and theoretically calculable for any moment whatever. The result, in short, was universal mechanism. But it was not enough to formulate this mechanism; what was required was to found it, to give the reason for it and prove its necessity. And the essential affirmation of mechanism being that of a reciprocal mathematical dependence of all the points of the universe, as also of all the moments of the universe, the reason of mechanism had to be discovered in the unity of a principle into which could be contracted all that is juxtaposed in space and successive in time. Hence, the whole of the real was supposed to be given at once. The reciprocal determination of the juxtaposed appearances in space was explained by the indivisibility of true being, and the inflexible determinism of successive phenomena in time simply expressed that the whole of being is given in the eternal.
The new philosophy was going, then, to be a recommencement, or rather a transposition, of the old. The ancient philosophy had taken each of the _concepts_ into which a becoming is concentrated or which mark its apogee: it supposed them all known, and gathered them up into a single concept, form of forms, idea of ideas, like the God of Aristotle. The new philosophy was going to take each of the _laws_ which condition a becoming in relation to others and which are as the permanent substratum of phenomena: it would suppose them all known, and would gather them up into a unity which also would express them eminently, but which, like the God of Aristotle and for the same reasons, must remain immutably shut up in itself.
True, this return to the ancient philosophy was not without great difficulties. When a Plato, an Aristotle, or a Plotinus melt all the concepts of their science into a single one, in so doing they embrace the whole of the real, for concepts are supposed to represent the things themselves, and to possess at least as much positive content. But a law, in general, expresses only a relation, and physical laws in particular express only _quantitative_ relations between concrete things. So that if a modern philosopher works with the laws of the new science as the Greek philosopher did with the concepts of the ancient science, if he makes all the conclusions of a physics supposed omniscient converge on a single point, he neglects what is concrete in the phenomena--the qualities perceived, the perceptions themselves. His synthesis comprises, it seems, only a fraction of reality. In fact, the first result of the new science was to cut the real into two halves, quantity and quality, the former being credited to the account of _bodies_ and the latter to the account of _souls_. The ancients had raised no such barriers either between quality and quantity or between soul and body.
For them, the mathematical concepts were concepts like the others, related to the others and fitting quite naturally into the hierarchy of the Ideas. Neither was the body then defined by geometrical extension, nor the soul by consciousness. If the [Greek: psychê] of Aristotle, the entelechy of a living body, is less spiritual than our "soul," it is because his [Greek: oôma], already impregnated with the Idea, is less corporeal than our "body." The scission was not yet irremediable between the two terms. It has become so, and thence a metaphysic that aims at an abstract unity must resign itself either to comprehend in its synthesis only one half of the real, or to take advantage of the absolute heterogeneity of the two halves in order to consider one as a translation of the other. Different phrases will express different things if they belong to the same language, that is to say, if there is a certain relationship of sound between them. But if they belong to two different languages, they might, just because of their radical diversity of sound, express the same thing. So of quality and quantity, of soul and body. It is for having cut all connection between the two terms that philosophers have been led to establish between them a rigorous parallelism, of which the ancients had not dreamed, to regard them as translations and not as inversions of each other; in short, to posit a fundamental identity as a substratum to their duality. The synthesis to which they rose thus became capable of embracing everything. A divine mechanism made the phenomena of thought to correspond to those of extension, each to each, qualities to quantities, souls to bodies.
It is this parallelism that we find both in Leibniz and in Spinoza--in different forms, it is true, because of the unequal importance which they attach to extension. With Spinoza, the two terms Thought and Extension are placed, in principle at least, in the same rank. They are, therefore, two translations of one and the same original, or, as Spinoza says, two attributes of one and the same substance, which we must call God. And these two translations, as also an infinity of others into languages which we know not, are called up and even forced into existence by the original, just as the essence of the circle is translated automatically, so to speak, both by a figure and by an equation. For Leibniz, on the contrary, extension is indeed still a translation, but it is thought that is the original, and thought might dispense with translation, the translation being made only for us. In positing God, we necessarily posit also all the possible views of God, that is to say, the monads. But we can always imagine that a view has been taken from a point of view, and it is natural for an imperfect mind like ours to class views, qualitatively different, according to the order and position of points of view, qualitatively identical, from which the views might have been taken. In reality the points of view do not exist, for there are only views, each given in an indivisible block and representing in its own way the whole of reality, which is God. But we need to express the plurality of the views, that are _unlike_ each other, by the multiplicity of the points of view that are _exterior_ to each other; and we also need to symbolize the more or less close relationship between the views by the relative situation of the points of view to one another, their nearness or their distance, that is to say, by a magnitude. That is what Leibniz means when he says that space is the order of coexistents, that the perception of extension is a confused perception (that is to say, a perception relative to an imperfect mind), and that nothing exists but monads, expressing thereby that the real Whole has no parts, but is repeated to infinity, each time integrally (though diversely) within itself, and that all these repetitions are complementary to each other. In just the same way, the visible relief of an object is equivalent to the whole set of stereoscopic views taken of it from all points, so that, instead of seeing in the relief a juxtaposition of solid parts, we might quite as well look upon it as made of the _reciprocal complementarity_ of these whole views, each given in block, each indivisible, each different from all the others and yet representative of the same thing. The Whole, that is to say, God, is this very relief for Leibniz, and the monads are these complementary plane views; for that reason he defines God as "the substance that has no point of view," or, again, as "the universal harmony," that is to say, the reciprocal complementarity of monads. In short, Leibniz differs from Spinoza in this, that he looks upon the universal mechanism as an aspect which reality takes for us, whereas, Spinoza makes of it an aspect which reality takes for itself.
It is true that, after having concentrated in God the whole of the real, it became difficult for them to pass from God to things, from eternity to time. The difficulty was even much greater for these philosophers than an Aristotle or a Plotinus. The God of Aristotle, indeed, had been obtained by the compression and reciprocal compenetration of the Ideas that represent, in their finished state or in their culminating point, the changing things of the world. He was, therefore, transcendent to the world, and the duration of things was juxtaposed to His eternity, of which it was only a weakening. But in the principle to which we are led by the consideration of universal mechanism, and which must serve as its substratum, it is not concepts or _things_, but laws or _relations_ that are condensed. Now, a relation does not exist separately. A law connects changing terms and is immanent in what it governs. The principle in which all these relations are ultimately summed up, and which is the basis of the unity of nature, cannot, therefore, be transcendent to sensible reality; it is immanent in it, and we must suppose that it is at once both in and out of time, gathered up in the unity of its substance and yet condemned to wind it off in an endless chain. Rather than formulate so appalling a contradiction, the philosophers were necessarily led to sacrifice the weaker of the two terms, and to regard the temporal aspect of things as a mere illusion. Leibniz says so in explicit terms, for he makes of time, as of space, a confused perception. While the multiplicity of his monads expresses only the diversity of views taken of the whole, the history of an isolated monad seems to be hardly anything else than the manifold views that it can take of its own substance: so that time would consist in all the points of view that each monad can assume towards itself, as space consists in all the points of view that all monads can assume towards God. But the thought of Spinoza is much less clear, and this philosopher seems to have sought to establish, between eternity and that which has duration, the same difference as Aristotle made between essence and accidents: a most difficult undertaking, for the [Greek: ylê] of Aristotle was no longer there to measure the distance and explain the passage from the essential to the accidental, Descartes having eliminated it for ever.
However that may be, the deeper we go into the Spinozistic conception of the "inadequate," as related to the "adequate," the more we feel ourselves moving in the direction of Aristotelianism--just as the Leibnizian monads, in proportion as they mark themselves out the more clearly, tend to approximate to the Intelligibles of Plotinus.[109] The natural trend of these two philosophies brings them back to the conclusions of the ancient philosophy.
To sum up, the resemblances of this new metaphysic to that of the ancients arise from the fact that both suppose ready-made--the former above the sensible, the latter within the sensible--a science one and complete, with which any reality that the sensible may contain is believed to coincide. _For both, reality as well as truth are integrally given in eternity._ Both are opposed to the idea of a reality that creates itself gradually, that is, at bottom, to an absolute duration.
* * * * * Now, it might easily be shown that the conclusions of this metaphysic, springing from science, have rebounded upon science itself, as it were, by ricochet. They penetrate the whole of our so-called empiricism. Physics and chemistry study only inert matter; biology, when it treats the living being physically and chemically, considers only the inert side of the living: hence the mechanistic explanations, in spite of their development, include only a small part of the real. To suppose _a priori_ that the whole of the real is resolvable into elements of this kind, or at least that mechanism can give a complete translation of what happens in the world, is to pronounce for a certain metaphysic--the very metaphysic of which Spinoza and Leibniz have laid down the principles and drawn the consequences. Certainly, the psycho-physiologist who affirms the exact equivalence of the cerebral and the psychical state, who imagines the possibility, for some superhuman intellect, of reading in the brain what is going on in consciousness, believes himself very far from the metaphysicians of the seventeenth century, and very near to experience. Yet experience pure and simple tells us nothing of the kind.
It shows us the interdependence of the mental and the physical, the necessity of a certain cerebral substratum for the psychical state--nothing more. From the fact that two things are mutually dependent, it does not follow that they are equivalent. Because a certain screw is necessary to a certain machine, because the machine works when the screw is there and stops when the screw is taken away, we do not say that the screw is the equivalent of the machine. For correspondence to be equivalence, it would be necessary that to any part of the machine a definite part of the screw should correspond--as in a literal translation in which each chapter renders a chapter, each sentence a sentence, each word a word. Now, the relation of the brain to consciousness seems to be entirely different. Not only does the hypothesis of an equivalence between the psychical state and the cerebral state imply a downright absurdity, as we have tried to prove in a former essay,[110] but the facts, examined without prejudice, certainly seem to indicate that the relation of the psychical to the physical is just that of the machine to the screw. To speak of an equivalence between the two is simply to curtail, and make almost unintelligible, the Spinozistic or Leibnizian metaphysic. It is to accept this philosophy, such as it is, on the side of Extension, but to mutilate it on the side of Thought. With Spinoza, with Leibniz, we suppose the unifying synthesis of the phenomena of matter achieved, and everything in matter explained mechanically. But, for the conscious facts, we no longer push the synthesis to the end. We stop half-way. We suppose consciousness to be coextensive with a certain part of nature and not with all of it. We are thus led, sometimes to an "epiphenomenalism" that associates consciousness with certain particular vibrations and puts it here and there in the world in a sporadic state, and sometimes to a "monism" that scatters consciousness into as many tiny grains as there are atoms; but, in either case, it is to an incomplete Spinozism or to an incomplete Leibnizianism that we come back. Between this conception of nature and Cartesianism we find, moreover, intermediate historical stages. The medical philosophers of the eighteenth century, with their cramped Cartesianism, have had a great part in the genesis of the "epiphenomenalism" and "monism" of the present day.