SigPhiSigPhi

Selections from the writings of Kierkegaard

Søren Kierkegaard

Language:
English
Status:
Selection or partial work
Authorship:
Written by the author
Condition of the text:
No scanning noise detected (automatic measure over the whole text, not checked by hand)
Extent:
~100,000 words · 496 passages
Cite this work
  • APASøren Kierkegaard. (n.d.). Selections from the writings of Kierkegaard. Digital reproduction: SigPhi. https://sigphiai.com/en/works/kierkegaard/selections-from-the-writings-of-kierkegaard
  • MLASøren Kierkegaard. Selections from the writings of Kierkegaard. Digital reproduction, SigPhi, https://sigphiai.com/en/works/kierkegaard/selections-from-the-writings-of-kierkegaard.
  • ChicagoSøren Kierkegaard. Selections from the writings of Kierkegaard. Digital reproduction, SigPhi. https://sigphiai.com/en/works/kierkegaard/selections-from-the-writings-of-kierkegaard.

Reference to the edition that SigPhi reproduces: SigPhi is its digital reproduction, not its publisher. The edition's year is not in the metadata (hence "n.d."), and the translator appears only when recorded.

What it is about

An English anthology of Kierkegaard.

Context and history

**Warning: this is a selection**, and Kierkegaard is an author anthologies harm particularly: he wrote under pseudonyms that deliberately contradict each other, and reading loose fragments makes exactly that disappear. The catalogue also holds complete works of his.

Editorial context, not a citable source: unlike the passages of the work itself, these statements cannot be checked against the corpus.

How it begins
had had nothing to do with the world, had been neither aroused and fired, nor disquieted and disturbed. Like a sleep-walker he bore the law of his actions within himself, and the amiable, kindly expression of his countenance concerned no one, but only mirrored the disposition of his soul. Selections from the Writings of Kierkegaard 47 The other person they called the Dressmaker, and that was his occupation. Of him it was impossible to get a consistent impression. He was dressed according to the very latest fashion, with his hair curled and perfumed, fragrant with eau-de-cologne. One moment his carriage did not lack self-possession, whereas in the next it assumed a certain dancing, festive air, a certain hovering motion which, however, was kept in rather definite bounds by the robustness of his figure. Even when he was most malicious in his speech his voice ever had a touch of the smooth-tonguedness of the shop, the suaveness of the dealer in fancy-goods, which evidently was utterly disgusting to himself and only satisfied his spirit of defiance. As I think of him now I understand him better, to be sure, than when I first saw him step out of his carriage and I involuntarily laughed. At the same time there is some contradiction left still. He had transformed or bewitched himself, had by the magic of his own will assumed the appearance of one almost halfwitted, but had not thereby entirely satisfied himself; and this is why his reflectiveness now and then peered forth from beneath his disguise.

Read the full work →

← Back to Søren Kierkegaard