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Maria; Or, The Wrongs of Woman

Mary Wollstonecraft

Language:
English
Status:
Complete work
Authorship:
Written by the author
Condition of the text:
Clean text
Extent:
~46,500 words · 221 passages
Cite this work
  • APAMary Wollstonecraft. (n.d.). Maria; Or, The Wrongs of Woman. SigPhi. https://sigphiai.com/en/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman
  • MLAMary Wollstonecraft. "Maria; Or, The Wrongs of Woman." SigPhi, https://sigphiai.com/en/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman.
  • ChicagoMary Wollstonecraft. Maria; Or, The Wrongs of Woman. SigPhi. https://sigphiai.com/en/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman.

What it is about

Maria; or, The Wrongs of Woman: the novel left unfinished at her death in 1797.

Context and history

It opens with a woman shut in a madhouse by her husband's order, having done nothing. Wollstonecraft takes the novel where the essay could not go: marriage as a legal form of captivity. Godwin published it posthumously, with the alternative endings she had sketched.

Editorial context, not a citable source: unlike the passages of the work itself, these statements cannot be checked against the corpus.

The public are here presented with the last literary attempt of an author, whose fame has been uncommonly extensive, and whose talents have probably been most admired, by the persons by whom talents are estimated with the greatest accuracy and discrimination. There are few, to whom her writings could in any case have given pleasure, that would have wished that this fragment should have been suppressed, because it is a fragment. There is a sentiment, very dear to minds of taste and imagination, that finds a melancholy delight in contemplating these unfinished productions of genius, these sketches of what, if they had been filled up in a manner adequate to the writer’s conception, would perhaps have given a new impulse to the manners of a world. The purpose and structure of the following work, had long formed a favourite subject of meditation with its author, and she judged them capable of producing an important effect. The composition had been in progress for a period of twelve months. She was anxious to do justice to her conception, and recommenced and revised the manuscript several different times. So much of it as is here given to the public, she was far from considering as finished, and, in a letter to a friend directly written on this subject, she says, “I am perfectly aware that some of the incidents ought to be transposed, and heightened by more harmonious shading; and I wished in some degree to avail myself of criticism, before I began to adjust my events into a story, the outline of which I had sketched in my mind.”[1] The o

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