SigPhiSigPhi

Essays of Michel de Montaigne — Complete

Michel de Montaigne

Language:
English
Status:
Complete work
Authorship:
Written by the author
Condition of the text:
Clean text
Extent:
~540,000 words · 2,578 passages
Cite this work
  • APAMichel de Montaigne. (n.d.). Essays of Michel de Montaigne — Complete. SigPhi. https://sigphiai.com/en/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete
  • MLAMichel de Montaigne. "Essays of Michel de Montaigne — Complete." SigPhi, https://sigphiai.com/en/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.
  • ChicagoMichel de Montaigne. Essays of Michel de Montaigne — Complete. SigPhi. https://sigphiai.com/en/works/michel-de-montaigne/essays-of-michel-de-montaigne-complete.

What it is about

Just over a hundred essays on anything at all — fear, friendship, cannibals, coaches, death — in which the author examines himself as the only subject he knows at close range.

Context and history

Montaigne withdrew from public life in 1571, aged 38, to the tower of his château, and wrote there for twenty years while the wars of religion tore France apart. He coined the word 'essay' in its sense of attempt or trial: no piece claims to conclude. He added layers through successive editions without deleting what was there, so the book keeps its own contradictions in plain view.

Editorial context, not a citable source: unlike the passages of the work itself, these statements cannot be checked against the corpus.

The present publication is intended to supply a recognised deficiency in our literature--a library edition of the Essays of Montaigne. This great French writer deserves to be regarded as a classic, not only in the land of his birth, but in all countries and in all literatures. His Essays, which are at once the most celebrated and the most permanent of his productions, form a magazine out of which such minds as those of Bacon and Shakespeare did not disdain to help themselves; and, indeed, as Hallam observes, the Frenchman’s literary importance largely results from the share which his mind had in influencing other minds, coeval and subsequent. But, at the same time, estimating the value and rank of the essayist, we are not to leave out of the account the drawbacks and the circumstances of the period: the imperfect state of education, the comparative scarcity of books, and the limited opportunities of intellectual intercourse. Montaigne freely borrowed of others, and he has found men willing to borrow of him as freely. We need not wonder at the reputation which he with seeming facility achieved. He was, without being aware of it, the leader of a new school in letters and morals. His book was different from all others which were at that date in the world. It diverted the ancient currents of thought into new channels. It told its readers, with unexampled frankness, what its writer’s opinion was about men and things, and threw what must have been a strange kind of new light on many matters but darkly understood. Above all, the essayist uncased himself, and made his intellectual and physical organism public property. He took the world into his confidence on all subjects. His essays were a sort of literary anatomy, where we get a diagno

Read the full work →

Themes in this work

← Back to Michel de Montaigne