Essays — Second Series
- Language:
- English
- Status:
- Complete work
- Authorship:
- Written by the author
- Condition of the text:
- Clean text
- Extent:
- ~58,900 words · 280 passages
Cite this work
- APARalph Waldo Emerson. (n.d.). Essays — Second Series. SigPhi. https://sigphiai.com/en/works/ralph-waldo-emerson/essays-second-series
- MLARalph Waldo Emerson. "Essays — Second Series." SigPhi, https://sigphiai.com/en/works/ralph-waldo-emerson/essays-second-series.
- ChicagoRalph Waldo Emerson. Essays — Second Series. SigPhi. https://sigphiai.com/en/works/ralph-waldo-emerson/essays-second-series.
What it is about
The second series (1844): The Poet, Experience, Character, Nature.
Context and history
Experience is the darkest thing he wrote and the best: it is marked by the death of his five-year-old son, and in it he says that not even grief manages to teach us anything. Anyone who knows only the optimistic Emerson has not read it. **A note on the edition: the volume Essays by Ralph Waldo Emerson gathers this series and the first. Not a duplicate.**
Editorial context, not a citable source: unlike the passages of the work itself, these statements cannot be checked against the corpus.
Those who are esteemed umpires of taste are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form, which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. There is no doctrine of forms in our philosophy. We were put into our bodies, as fire is put into a pan to be carried about; but there is no accurate adjustment between the spirit and the organ, much less is the latter the germination of the former. So in regard to other forms, the intellectual men do not believe in any essential dependence of the material world on thought and volition. Theologians think it a pretty air-castle to talk of the Spiritual meaning of a ship or a cloud, of a city or a contract, but they prefer to come again to the s
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